Good Time Original Motion Picture Soundtrack

“This is Oneohtrix Point Never on highest alert” – Q Magazine

“Ominous, otherworldly electronica [...] a relentless, driving cacophony that yields only in the film’s final moments” – Vogue

”The futurist grandeur of Brad Fiedel’s Terminator soundtrack, heavy shades of John Carpenter and Alan Howarth’s malevolent.[..] But the sheer density and erratic energy is all Lopatin’s own” – Guardian

“[Good Time] moves smartly and propulsively to the stressed-out strains of Daniel Lopatin’s edge-of-a-heart-attack score” – New York Times

“Treads the line between crime thriller score and psychotropic trip” – The Wire

"A searing, striking set of compositions"– DJ Mag

“Lopatin has made some of the most confrontational, maximal and transformative electronic music of the past decade [...] a worthy addition to Oneohtrix Point Never’s near-faultless discography, and a record to cherish in its own right” – Line Of Best Fit